Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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william r clark
alexander uon humboldt anvande denna flotte pa guayaquilfloden i ecuador under sin sydaneri kanska expedition 1799-1804

ID: 59170

william r clark alexander uon humboldt anvande denna flotte pa guayaquilfloden i ecuador under sin sydaneri kanska expedition 1799-1804
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william r clark alexander uon humboldt anvande denna flotte pa guayaquilfloden i ecuador under sin sydaneri kanska expedition 1799-1804


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william r clark

1829-1912  Related Paintings of william r clark :. | cooks fartyg endeavour uar battre utrstat for vetenskapliga andamal an nagot fortyg dessforin nan | sir fohn franklin ledde fyra arktiska exprditioner | upptackarlusten livas | sex ar fore laing utforskade foseph ritchie och g f lyon fezzanomradet dar de besokte staden murzuq i det inre av libyrn. | for manga manniskor kan bergsklattring tyckas vara en egendomlig sysselsattning men drigten att ga dar ingen manniska gatt forut,att ansran ga sina fy |
Related Artists:
Bernard Boutet de Monvel
1884 - 1949
Bruyn, Barthel the Elder
German, 1493-1555
MEI, Bernardino
Italian painter, Roman school (b. 1612, Siena, d. 1676, Roma) Italian painter, draughtsman and printmaker. His early art drew on a variety of sources, which included the naturalism of Rutilio Manetti and Francesco Rustici, the descriptive realism of the engraver Giuliano Periccioli (d 1646) and the Baroque of Raffaelle Vanni. Mei's interests even embraced 16th-century Sienese art. This stylistic variety is evident in his first known works, such as a bier (Casole d'Elsa, Collegiata), three signed miniatures in the Libro dei leoni (1634; Siena, Pal. Piccolomini, Archv Stato) and frescoes of scenes from the Life of St Bernard (1639; Siena, oratory of S Bernardino). His experimental approach is also displayed in such works as the Annunciation (Siena, Mus. Semin. Montarioso), which may be dated between the mid-1630s and the early 1640s. Mei's early maturity is marked by a conscious return to the naturalism of Manetti, enriched with a Baroque pathos and soft, fluid brushwork, as in the St Peter in Prison Awoken by the Angel and St Peter Freed by the Angel (both Siena; Conservatori Femminili Riuniti). His interest in both naturalism and the Baroque made him responsive to the art of Mattia Preti, possibly seen in Rome, as in the Beheading of St John the Baptist (1647; Siena, oratory of S Giovannino in Pantaneto) and the frescoes of scenes from the Life of St Roch and Life of St Job (1648; Siena, S Rocco),






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